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By the turn from the 20th century, amateur advisors and publications were increasingly challenging the monopoly which the large retail companies had on decor. English feminist author Mary Haweis wrote some widely read essays from the 1880s where she derided the eagerness in which aspiring middle-class people furnished their houses in line with the rigid models wanted to them with the retailers.[10] She advocated the average person adoption of the particular style, tailor-made to the person needs and preferences in the customer:

nhà thuc t nhn ng dng" style="max-width:450px;float:left;padding:10px 10px 10px 0px;border:0px;">"One of my strongest convictions, and one from the first canons of excellent taste, is the fact that our houses, such as fish’s shell plus the bird’s nest, need to represent our individual taste and habits.
The move toward decoration being a separate artistic profession, unrelated towards the manufacturers and retailers, received an impetus using the 1899 formation on the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, ones 10 were women. Rhoda and Agnes Garrett were the very first women to teach professionally as decorators in 1874. The importance of their work towards design was regarded at that time as over a par to be able of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic home design to a wide middle-class audience.[12]

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